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| Home Page > Travelogues > Germany > Bremen > Altstadt and Schnoor Quarter Subchapters in this travelogue:
The tale of Bremen's Town Musicians was probably one of the goofier
tales that came to the offices of Jakob and Wilhelm Grimm. Once upon a
time there were four animals:
a donkey, a hound, a cat, and cock. All faced old age and certain d So, what was the moral of this tale? You either, eh? No
matter. Probably a teamwork thing. But as the northwest of Germany
became the source of so many of the fairy tales of the Brothers Grimm, and the
old city of Bremen was so befitting of fairy tales, it was not surprising that the
Town Musicians became icons. In fact, the first photograph shows
the musicians immortalized in a 1951 bronze sculpture just near the town square,
a sculpture also celebrated on t The average person may find this merely cute, but 1951 was a very significant time for Bremen. Bremen, once a very proud Hanseatic port city with centuries of naval merchant history behind it, was bombed to its foundations during World War II and was recovering. It was itself an old city in tatters, but with the strife of the war behind, it was setting a new (or old) course for itself in the latter half of the 20th century. Would it find a new life? You betcha. The old city (Altstadt) has been almost fully restored is now one of the great cultural centers in northern Europe. One colleague told me that it was his favorite city when he lived in the region. There was always something to do and the old city was a joy to walk around. Based on my experience there, I must agree. The Altstadt was an oval region sandwiched between the northeast bank of the
Weser River and the Stadtgra My tour began with the main marketsquare, shown in the backgrounds of the first two pictures. Along with the Town Musicians, the points of interest included Bremen's major icon -- the statue of Knight Roland, shown in the right of the second photo. According to Bremen's tourist guide, Knight Roland symbolized civil rights, and had done so since the Hanseatic age, long before human rights came in vogue worldwide. Not shown in the photographs here were two other icons of the main market, the Gothic town hall and St. Peter's Cathedral. The decoration on the town hall (or Rathaus) was incredibly intricate -- a mosaic of reds, yellows, and greens on a deeply sculptured facade. St. Peter's Cathedral was impressive as well, with golden mosaics of Biblical scenes on its facade. The marketsquare was itself a mosaic of stones formed as a huge compass dial.
The next part I visited, and my personal favorite, was the Schnoo I devoted the rest of my time on the riverbank -- the Weser Promenade and the Schlachte. On-going at the time was a river music festival, which was attracting huge crowds. The fifth photograph shows the Promenade with red-brick St. Martin's Church in the background. The Schlachte, or boulevard, was the pedestrian district along the tree line just beyond the line of white tents at left-center. Those white tents represented a long market ready to serve beer and wurst to the mass throng of music lovers. I spent a good hour listening to a couple middle-age Germans banging out some classic rock like they were still youngsters! (Great thing about seasoned rock musicians -- they never die, they just round up a donkey, a dog, a cat, and a cock and head to Bremen.) By the way, the Beck's Brewery was on the opposite bank and slightly further downriver from where I took this shot. It was a huge facility, and offered tours during the week. My tour of Bremen's Altstadt was nothing short of fantastic. I loved it from start to finish. Even if can't carry a tune to save my life, I hope to get back there someday. Subchapters in this travelogue:
Trips taken 6-7 September 2003 -- Page last updated 18 August 2006 -- (C) 2003 Tom Galvin Useful Links: |
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